+44 7551 599 292 | +44203 929 7426
59 Leighton Road, London NW5 2QH
59 Leighton Road, London NW5 2QH
Nalbi's
New Works
New Works
The line is blurry between the geometric compositions and expressive painting that characterize Nalbi's works.
Lines and fields, complex grid systems, vertical and horizontal streaks and round shapes are the language the artist uses.
Lines and fields, complex grid systems, vertical and horizontal streaks and round shapes are the language the artist uses.
Moreover his works can be placed in a very subtle color palette. The artist paints layer by layer with a clearly visible brushwork that he sets above the other, giving his paintings a haptic quality. The surface alludes to the individual segments of the layers below. The colors in his work are not uniform and flat, but nuanced and indicate space.
Independent of the dark or light background color, the works are drowning in quite melancholy. His sophisticated color scheme stems from his color studies that he constantly redevelops.
Independent of the dark or light background color, the works are drowning in quite melancholy. His sophisticated color scheme stems from his color studies that he constantly redevelops.
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Working in the field of displayed ideas, concepts and characters, I consciously oppose myself to more radical tendencies of contemporary art, developing the capabilities of traditional scenic resources. Reflections on development options, stylistic and plastic visual language is the very essence of my creative method. Constantly questioning: 'How to do?' I end up giving an answer to the question: 'What's done'.
Nalbi's drawings and paintings affect the essence of art and the representation of a reality. They possess a poetic value, which simultaneously lends intensity to his abstractions.
His works enable us to free ourselves of identifying vision and concrete context. They release us from the need to recognize routine and concrete form, i.e. they subduct the basis for any vision aligned to conceptual classifications, because they possess a pictorial quality resistant to any naming.
His works enable us to free ourselves of identifying vision and concrete context. They release us from the need to recognize routine and concrete form, i.e. they subduct the basis for any vision aligned to conceptual classifications, because they possess a pictorial quality resistant to any naming.